All other Android handsets support 10-bit HDR capture with Log V3. * Only One Plus currently support SDR 10-bit. Which devices supports 10-bit capture and Log V3?Ĭurrently 10-bit SDR capture and the new gamma curve suite including Log V3 are limited to 12 series iPhones, 13 series iPhones, and the following Android handsets support HDR 10-bit capture: This is where all that extra colour information allows you to push and pull your footage well beyond what is possible with 8-bit video. Also, the Dolby Vision is natively part of the iPhone 12 and so while having it in FiLMiC Pro is great - primarily. First, Dolby Vision is HDR (high dynamic range) and LogV3 is SDR (standard dynamic range). Another thing is that often the connection between my gimbal phone always disconnect after some time, and its also a pain to that i cant use the record button on my gimbal because of the lost shows that its conbecyed but no reaction.about the telegram group,is this the telegram app, and i must search for mcpro24fps group? Am i right.i never used that.thanks for ur reply kosmos.Two of the main reasons to shoot in 10-bit is because you plan to shoot in Log, in which case the smoother colour gradation is key to getting the best possible dynamic range and if you intend to heavily grade your video in post (which is usually why filmmakers shoot in log). FIRST LOOK - FiLMiC PRO 10-bit LogV3 is HERE And just to be clear, this new 10-bit LogV3 update is different than the 10-bit Dolby Vision. I hoped that in mcpro24fps its a bit easier. I will film mostly in daytime and wanted to set everything up so my only thing is to record.tge crazy thing in filmic is that when i create a preset in filmic and i switch to another preset the whole iso and shutter goes to reset and i have to set it back. I liked the mcpro24fps because of the ease of iso and shutter settings,its a pain to do that in filmic. Kosmos2001 thanks for ur reply,yess im following patrick on youtube.i got the info from him tha mcpro24fps is better than filmic pro.so thats why i started researching about it.the log thing is giving me a big headache.whT i found about filmic is that when filming with log v2 there is a lut thatcan be downloaded from the filmic website that can be used as a rec709 conversion and after thati can use any lut from my taste. I heard that log to rec709 can mot be fone in premiere pro but davinci resolve can do it. So technically if i take this abd film it with mslog after that i will convert it to rec709 and after that in premiere pro. Or should i take MSlog 100%, and as i see the M is for mcpro24fps and the S for SONY,is it right? This mobile NLE is a fully-featured and professional app, allowing for 12 tracks of video, 6 of which supports video up to 4K, and 6 tracks for audio. I cant find anywhere information what to do.because in the LOG options in mcpro24fps there are lots of ootions to choose.i want to shoot in LOG because after filming i want to efit it in premiere pro and have control with the color grading.what i also see is the option of filming in rec709.should i choose this one so that i dont have to grade it first in davinci resolve and after this i can to the color grading further in premiere pro.if i take rec709 than its already converted to do everything else in premiere pro. LumaTouch, makers of LumaFusion, says that the FiLMiC Pro Log V3 footage is automatically saved as a LUT in the color and effects menu, making it convenient for editors to access.

Im familiar with the basic settings but what im stuck is which LOG option to choose for filming.

So im new to smartphone filming, and bought the mcpro24fps app for manual control of the settings on my samsung s9 plus for filming.

Hello,need some advice and help what to do.

Filmic pro log lut